Open Journal of Occupational Therapy: Occupation and the Artist | Occupational Therapy

The “Occupation and the Artist” section of the Open Journal of Occupational Therapy (OJOT) highlights the use of art in the practice of occupational therapy (OT) and in the occupations of both consumers of OT services and its practitioners.

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The Practice of Perfect Mistakes

Kelly Allen

Cheryl VanderMolen Neway, a fashion designer and textile artist residing in Fairfax, Virginia, provided the cover art for the Fall 2025 issue of The Open Journal of Occupational Therapy (OJOT). The photograph features a flowing, floor-length duster jacket entitled, The Free Spirit, 2024, made from an upcycled denim jacket with lace and hand-dyed linen, using shibori and indigo-dyeing techniques, modeled by Shamola Crosbie. Cheryl’s designs serve to express emotion, meet her need for creative exploration, and empower her community through fashion. Using resist-dyeing techniques paired with upcycled textiles and salvaged materials, she creates vibrantly unique clothing and mixed media artwork featured in fashion shows, art fairs, gallery exhibitions, and boutiques, including her own. While immersed in the process of sewing patchwork dresses decades ago, she developed the ability to reframe struggles as opportunities for breakthroughs. A serendipitous sewing project held a valuable lesson that coined the name for her business, Perfect Mistakes. The name fostered a growth mindset that continues to inspire her to navigate life with optimism, authenticity, and innovation. Cheryl’s creative occupation has helped her to heal from her past, develop meaningful relationships, and develop supportive learning environments filled with opportunities to lean into the unexpected.
Following Painting's Quiet Call to Adventure

Kelly Allen

Yael Goverover, OTR/L, Ph.D, professor and post-professional program director of occupational therapy at New York University at Steinhardt (NYU), provided the cover art for the summer issue of The Open Journal of Occupational Therapy. This oil painting on canvas, titled, Still Life, 2024, features an arrangement of everyday objects with vibrant tones of gold, yellow, orange and green found in the vase, coffeepot, fruits and botanicals set against a backdrop of scarlet and striped patterned fabrics. She created this piece while on sabbatical in Israel as she studied under the tutelage of a seasoned oil painter. The composition is derived from two different arrangements combined into a single image, and is one of her many works that feature elegant, celebratory arrangements of still lifes, landscapes, and figures. While she refers to it as ‘a vacation,’ painting from observation is a difficult practice that provides never-ending problems to solve and opportunities for growth. With art as a lifelong occupation, the skills of careful observation and self-reflection gained from years of painting have helped to deepen her observation and problem-solving abilities required in her roles as an educator, clinician, and researcher focused on interventions for individuals with neurological impairments.
Modern Creativity Thriving Through the Roots of Occupational Therapy

Kelly Allen

Peace, a client artist at Corvilla, provided the cover art for the Spring 2025 issue of the Open Journal of Occupational Therapy (OJOT). This untitled artwork is a mixed-media painting featuring a vase of daisies, hand-drawn by Peace, which was engraved into reclaimed wood with a CNC machine, painted, and hand-sanded to reveal the image through the contrast of paint and wood. This and many other artworks are produced daily and sold in the storefront of the organization. Corvilla’s art program, Studio Five9, echoes the earliest models of arts and crafts workshops found in rehabilitation facilities in the early 20th century that were included as part of medical treatment for patients and which led to the foundation of occupational therapy as a profession. From these roots, Corvilla thrives with its own unique model that cleverly harnesses the use of modern technology and industrial tools as adaptive equipment to enhance the quality, creativity, and salability of their creative goods.
Art, Nature, and Occupational Therapy in the Arctic Circle

Erin Barrus

Even Edvardsen, a Norwegian occupational therapist and artist, provided the cover art for the Winter 2025 issue of the Open Journal of Occupational Therapy (OJOT). “Loppa 1” is a 60 x 80 oil on canvas that shares a glimpse into living in the Arctic Circle. It is the first in a series of 10 variations of the island of Loppa, a small island off the coast of Norway, further north of Tromsø. Even’s paintings are what he calls meditations on nature and everyday moments; he invites viewers to slow down and reconnect with the world around them. In today’s fast-paced world, Even believes art can help restore perspective and mindfulness. He aims to encourage others to find their inner artist and connect with the environment around them with a sense of stillness and wonder.
Art as an Intervention for Healing and Empowerment

Erin Barrus

Komal Patel, an occupational therapist and artist residing in New Jersey, provided the cover art for the Fall 2024 issue of the Open Journal of Occupational Therapy (OJOT). “Emotions” is a piece made from acrylic on canvas that depicts the emotional complexities the human mind goes through during a person’s experience or stage of life. The inspiration comes from her personal journey of moving to the United States from India and the emotional turbulence, both negative and positive, she experienced. Art has become part of the healing story for herself and others. She shares how incorporating this intervention leads to improvement in physical, emotional, and social outcomes close to the individual but also for society.
Unification of Art and Spirituality

Erin Barrus

David Wagenfeld, an artist and resident of Kalamazoo, Michigan, provided the cover art for the Summer 2024 edition of The Open Journal of Occupational Therapy (OJOT). “Word Fusion” is a piece made from ink on paper that uses words to depict an image of a person walking through an environment. The image is rooted to the ground in love, joy, calmness, and peace. The person is one with themselves and their spirituality with arms portraying presence, joy, and serenity. David shares his experience of self-discovery and understanding of the beautiful dance between art and spirituality.
Art, Family, and a Calling to Occupational Therapy

Erin Barrus

Karen Sames was born and raised in Milwaukee, Wisconsin. From an early age, she was surrounded by art. An experience with occupational therapy during the third grade jumpstarted her journey connecting art to occupation. Karen believes that art is a necessary part of life and credits much of her own personal success with art to her friends and family for their inspiration and to the instructors at the Eagan Art House in Minnesota. Her piece “Cherry Blossoms,” a pastel on paper (See Figure 1) is based on a photograph taken by her son who is currently living in Japan, and graces the cover of the Spring 2024 edition of the Open Journal of Occupational Therapy (OJOT).
artWorks: Art as Occupation

Erin M. Barrus

A collaborative effort from various artists at MRC artWorks located in Kalamazoo, MI contributed to the cover art for the Winter 2024 issue of the Open Journal of Occupational Therapy (OJOT). MRC Industries is a non-profit organization that focuses on supporting individuals with developmental disabilities, cognitive or emotional impairments or illnesses, and people who have experienced traumatic brain injuries. One particular program has become a staple in the Kalamazoo community – MRC artWorks, a professional working art studio for adults with disabilities to learn skills, both physical and emotional, through art instruction and art-making.
Destigmatizing Complex Regional Pain Syndrome through Art and Research

Jennifer Fortuna

Bill Dambrova, an artist based in Phoenix, AZ, provided the cover art for the Fall 2023 issue of the Open Journal of Occupational Therapy (OJOT). Bill’s paintings explore the intrinsic and extrinsic relationships between living things. Through the Artists + Researchers (ARx) program, Bill was teamed with Dr. Gretchen Bachman, OTD, OTR/L, MBA, CEAS, CHT and Dr. Cindy Ivy, OTD, OTR/L, MEd, CHT, occupational therapy professors and researchers from Northern Arizona University. Their goal was to create a work of art that could disseminate research on complex regional pain syndrome (CRPS). The partnership led to the creation of “Invisible War” a 74” x 74” mixed media painting on canvas depicting the visible and invisible challenges of people experiencing this debilitating condition. Through art and research, the team hopes to inform future studies and destigmatize CRPS in a unique way.
Developing a Holistic Outlook through Art

Jennifer Fortuna

Dr. Guy McCormack, PhD., OTR/L, FAOTA, an occupational therapist and retired academic Program Director based in Seaside, California provided the cover art for the Summer 2023 edition of The Open Journal of Occupational Therapy (OJOT). “Tree of Life” is a 20” x 24” painting made from acrylic on panel. McCormack has served as an occupational therapist and educator for nearly 50 years. His career includes many notable clinical and academic achievements. Today, he finds joy in painting landscapes, animals, and abstract compositions. Since his retirement, art has helped McCormack develop a more holistic outlook on life.
Regaining Quality of Life Painting Pet Portraits

Jennifer K. Fortuna

Tina Primer, an artist based in Illinois provided the cover art for the Spring 2023 edition of The Open Journal of Occupational Therapy (OJOT). “Wriggly” is an 11” x 14” painting made from acrylic on stretched canvas. After a debilitating stroke, Tina began using art as therapy. When the strength in her dominant hand did not return, painting pet portraits provided the motivation to do things differently. Tina’s playful use of color and attention to detail capture each pet’s unique personality. Discovering a new way to paint improved Tina’s quality of life.
Can You See What I See? An Art Project Promoting Living Well with Dementia

Jennifer Fortuna

Caroline Hyland, an illustrator and former occupational therapist based in Dublin, Ireland provided the cover art for the Winter 2023 edition of The Open Journal of Occupational Therapy (OJOT). “Can You See What I See?” is an acrylic painting on black textured paper. The piece was inspired by Caroline’s grandmother Kathleen Duhig, her love of flowers, and the song "The Dutchman.” Kathleen and three of her sisters lived with dementia. This painting, and several others, are featured in a book Caroline wrote to support living well with dementia. By combining her artistic talents and training as an occupational therapist, Caroline advocates for a society that sees people with dementia first, not their disease.
Promoting Longevity through Engagement in Purposeful Occupations

Jennifer K. Fortuna

Ron Henry, an artist based in Grand Junction, Colorado provided the cover art for the Fall 2022 edition of The Open Journal of Occupational Therapy (OJOT). “On the Trail to Durango” is a 36” x 36” painting made from oil and acrylic on gesso board. Ron has been creating beautiful art since he was a child. Throughout his life, art has provided Ron with a strong sense of purpose. At age 90, Ron attributes his longevity to living a healthy lifestyle and regular engagement in purposeful occupations such as painting. In this tenth anniversary issue of OJOT, Occupation and the Artist is profiling Ron to celebrate his nearly nine-decade long career as an artist.
The Anatomy of Human Occupation

Jennifer K. Fortuna

Dr. Emily Balog, PhD., OTR/L, ECHM, an occupational therapy professor and artist based in New Jersey, provided the cover art for the Summer 2022 edition of The Open Journal of Occupational Therapy (OJOT). “The Knitting Brain” is a 11” x 15” painting made from watercolors. The inspiration for this painting came from years of experience working with individuals with head injury, stroke, and mental illness. The piece is from her “Anatomy of Human Occupation” series. This collection of paintings is a unique and authentic representation of Dr. Balog’s love of the human body and the healing power of occupation. Dr. Balog is an occupational therapist with expertise working with older adults in the community. She is also a highly decorated veteran who uses art to heal herself and other veterans from trauma experienced in service. For Dr. Balog, engaging in art is a powerful tool for recovery.
Nurturing Personal Capacities Through Engagement in Art

Jennifer K. Fortuna

Andy Wunderlin, an artist based in Vicksburg, Michigan provided the cover art for the Spring 2022 edition of The Open Journal of Occupational Therapy (OJOT). “Tree with Birds” is a 10” x 13” drawing made from colored pencil (see Figure 1). Andy’s style is uniquely photorealistic. His work involves meticulous attention to detail. On average, each piece takes between six months and two years to complete. For Andy, drawing provides a powerful source of motivation and purpose. Art has played an important role in the development of Andy’s personal capacities and potential.
Using Creative Making to Redesign Life After Stroke

Jennifer K. Fortuna

Kate Davies, a knitwear designer and author based in Scotland, provided the cover art for the Winter 2022 edition of The Open Journal of Occupational Therapy (OJOT). “Balance for Better” is a blanket made from wool and mohair. The blanket consists of 30 individual squares designed and knitted by KDD & Co. employees. The colors and pattern of each square reflect the work, achievements, and legacy of the inspirational women celebrated in the blanket. At age 36, Kate suffered a near fatal stroke that left her paralyzed on the left side of her body. Forced to give up her career as an academic lecturer, she used the meaningful occupation of knitting to create a new path. Through knitting, Kate redesigned her life.
Adapting the Ceramics Process with Creative Problem Solving

Jennifer K. Fortuna

Madeline Kaczmarczyk, a ceramics sculptor based in Rockford, Michigan, provided the cover art for the Fall 2021 edition of The Open Journal of Occupational Therapy (OJOT). The wall vase is made from clay, luster glaze and glass beads. Madeline describes the piece as a playful take on shadows and patterns using a deconstructed classic vase form. Madeline has been creating decorative ceramics for over four decades. In recent years, she has found creative ways to adapt the ceramics process so she can continue creating beautiful works of art. For Madeline, ceramics is more than a means to make a living. This meaningful activity brings focus to her life.
Ikebana: An Ancient Tradition of Contemporary Healing and Artful Practice

Jennifer K. Fortuna PhD, OTR/L

Dr. Ricardo Carrásco, PhD, OTR/L, FAOTA, occupational therapy professor and ikebana artist, provided the cover art for the Summer 2021 edition of The Open Journal of Occupational Therapy (OJOT). Ikebana is the ancient Japanese art of arranging flowers. “Kanta of the Wind, Sun and Moon” is an ikebana design made from blue and white Phalaenopsis orchids, chrysanthemum, bear grass and heirloom driftwood. This gendaika, or freestyle design is a haiku tribute to the wind, sun and moon. Dr. Carrásco has been practicing occupational therapy and ikebana for more than five decades. As an occupational scientist and therapist, he has experience working in pediatric, academic, research, mental health and wellness practice settings. Dr. Carrásco currently serves as headmaster of the Banmi Shofu Ryu school of ikebana. His story is shared from a sense of duty and obligation to preserve this ancient tradition of contemporary healing and artful practice.
Life Repurposed: Finding a New Calling Through Meaningful Occupation

Jennifer Fortuna PhD, OTRL

Kelly Allen, an occupational therapist and artist based in Grand Rapids, Michigan, provided the cover art for the Spring 2021 edition of The Open Journal of Occupational Therapy (OJOT). “Follow” is a 16” x 20” painting made from oil on panel. The painting, which features a coati from Central America, is from Kelly’s Animal Totem series. After more than two decades as a fine artist and educator, she began searching for a career change. Kelly’s background in fine art and desire to help others prepared her for a career in occupational therapy. Certain events in Kelly’s life aligned not by chance, but to prepare for her for what was next.
Creating a New Normal Through Engagement in Meaningful Occupation

Jennifer K. Fortuna PhD, OTRL

Katie Edick, an occupational therapist and artist based in Portland, Michigan, provided the cover art for the Winter 2021 edition of The Open Journal of Occupational Therapy (OJOT). “Katie Bird” is a 4” x 6” watercolor painting. After receiving a diagnosis of metastatic breast cancer (MBC), Katie set out to find a new purpose and leave a legacy. She made the decision to live with intention and choose life experiences that create joy. Through engagement in meaningful occupations such as painting and patient advocacy, Katie is creating a new normal.
Healing the Mind and Soul with Art and Music

Jennifer K. Fortuna

Gracie Fisher, an artist and composer based in Santa Barbara California, provided the cover art for the Fall 2020 edition of The Open Journal of Occupational Therapy (OJOT). “The Fruit of Spirit” is a 16” x 20” oil painting on canvas. When a rare neurologic condition left Gracie paralyzed from the neck down, art and music helped to heal her mind and soul. Upon returning home from the hospital, Gracie’s wish was to create an inclusive environment where children of all abilities could engage in art and music. She founded the Grace Fisher Foundation so others could experience the healing nature of occupation. Gracie believes art comes in many forms. With the right environment, tools and supports, anyone can create.
Integrating Art into Life in Pursuit of Occupational Balance

Jennifer K. Fortuna

Dr. Sharon Gutman, PhD, OTR, FAOTA, an occupational therapy professor and artist based in New York, provided the cover art for the Summer 2020 edition of The Open Journal of Occupational Therapy (OJOT). “Goldfish” is a 10” x 13” watercolor painting. Dr. Gutman has nearly 30 years of experience in clinical practice, higher education, research and service to the profession. Dr. Gutman pursued a career in occupational therapy because it was a field where she could use her creativity. This decision led to an extraordinary career and a life of service to others. When the demands of a busy lifestyle put Dr. Gutman’s well-being at risk, she integrated art into life in pursuit of occupational balance.
Charting a New Course Through Meaningful Occupation

Jennifer K. Fortuna MS, OTRL

Rory Odom, an artist and United States Marine Corps Veteran based in Florida, provided the cover art for the Spring 2020 edition of The Open Journal of Occupational Therapy (OJOT). “Turtles All the Way Down” is an 8”x10” oil painting on canvas. After a tragic accident changed the course of Rory’s life, painting gave him hope. During rehabilitation, Rory sought opportunities to challenge himself and build technical skill as a painter. His bold use of color and signature impressionist style convey emotion and movement. In the face of adversity, meaningful occupation helped Rory chart a new course in life.
Quilting and Sharing: Promoting Lifelong Learning and Service to Others

Jennifer K. Fortuna

Lynne Hall, an occupational therapist, educator and quilter based in Kalamazoo, MI, provided the cover art for the Winter 2020 edition of The Open Journal of Occupational Therapy (OJOT). “Four Patch Posy” is a 45” x 55” quilt made from cotton. In her 50^th year of occupational therapy practice, Lynne’s philosophy is rooted in lifelong learning and service to others. The quilt aesthetic provides Lynne a creative medium to serve in her community. With her person-centered approach, Lynne facilitates human potential in the client’s, students and community members she serves. Success in both occupational therapy practice and quilting require a holistic understanding that the whole is greater than the sum of its parts.
Facilitating the Creative Process Through Collaboration

Jennifer K. Fortuna MS, OTRL

Miles Parker Scharfenberg, an artist based in Richland, MI, provided the cover art for the Fall 2019 edition of The Open Journal of Occupational Therapy (OJOT). “Late Night Fireworks” is a 30” x 40” painting made from acrylic on canvas (see Figure 1). Born 15 weeks premature, Miles’ multiple health impairments have made it difficult to engage in meaningful occupations such as painting. With support from his mother Carol, occupational therapy students and members of the community, Miles creates colorful abstract expressionist paintings. Collaboration is part of his creative process. In this fifth anniversary issue of OJOT, Occupation and the Artist is following up with a past artist for the first time. Over the last five years, Miles has further developed his skill and abilities as a painter while discovering his potential as an artist.