The Medieval Globe is a peer-reviewed journal launched in 2014, published by Arc Humanities Press. It explores the modes of communication, materials of exchange, and myriad interconnections among regions, communities, and individuals in an era central to human history.

See the Aims and Scope for complete coverage of the journal.

To learn more about the journal, please visit TMG's webpage. For full access to articles, please subscribe through the link in the sidebar.

Current Issue: Volume 3, Number 2 (2017) Reassessing the Global Turn in Medieval Art History

Edited by Christina Normore

This collection in The Medieval Globe aims to reassess the so-called global turn in medieval art history. Study of the migration of motifs, materials, personnel, and finished objects has a long pedigree within medieval art history, while the broadening attention to material culture has likewise been an integral factor in reshaping the current conception of a more interconnected medieval world. Yet despite these developments, numerous important problems remain to be addressed. In addition to debates concerning the concept of “the global,” these include the challenges to traditional art historical narratives, specializations, and scholarly training posed by the much more complex picture of Eurasian and African cross-cultural connections which has begun to emerge. Moreover, while these challenges affect Byzantine, Islamic, western European, and East Asian art histories alike, there has as yet been little sustained conversation among those working in these fields. Drawing together articles by specialists actively engaged in the reassessment of medieval art and material culture in a global context, this thematic issue features examples of cutting-edge scholarship and offers a starting point for future dialogues and cross-cultural research projects. This introduction describes the stakes and circumstances of Reassessing the Global Turn in Medieval Art History and offers a brief summary of its contents.