'It Is Written': Tom Stoppard and the Drama of the Intertext
Kinereth Meyer

Silent Women and Shrews: Eroticism and Convention in Epicoene and Measure for Measure
Charles R. Lyons

The Imperial Play as Final Chapter in the Jesuit Theater in Austria
Eugene J. Devlin

Theatrical Pragmatics: The Actor-Audience Relationship from the Mystery Cycles to the Early Tudor Comedies
Hans-Jürgen Diller

'Both bodily deth and werldly shame': 'Little Musgrave and Lady Barnard' as Source for A Woman Killed With Kindness
Dean A. Hoffman

Selected Letters of Eugene O'Neill, edited by Travis Bogard and Jackson R. Bryer
Michael Manheim

A Companion to Henslowe's Diary, by Neil Carson
Arthur F. Kinney

The Shifting Point: Theatre, Film, Opera, 1946-1987, by Peter Brook
Enoch Brater

Peter Shaffer: Roles, Rites, and Rituals in the Theater, by Gene A. Plunka
Dennis A. Klein

"Concord in Discord": The Plays of John Ford 1586-1986, edited by Donald K. Anderson, Jr.
Phoebe S. Spinrad

Tom Stoppard: The Artist as Critic, by Neil Sammells
Katherine E. Kelly

Hamlet: Film, Television, and Audio Performance, edited by Bernice Kliman
Frances Teague

The Banished Prince: Time, Memory, and Ritual in the Late Plays of Eugene O'Neill, by Laurin Porter
Michael Hinden

The Designs of Carolean Comedy, by Eric Rothstein and Frances M. Kavenik
Christopher Spencer