• Home
  • Search
  • Browse Collections
  • My Account
  • About
  • DC Network Digital Commons Network™
Skip to main content

Comparative Drama

  • ScholarWorks
  • About
  • FAQ
  • My Account
ScholarWorks@WMU
  •  
  •  

ScholarWorks > Arts & Sciences > English > COMPDR > Vol. 25 (1991) > Iss. 1

 

Volume 25, Issue 1 (1991) Spring

Articles

 

Introduction
Meg Twycross

 

On the Use of Figurative Art as a Source for the Study of Medieval Spectacles
Paola Ventrone

 

The Staging of the Assumption in Europe
J. Franceso Massip

 

The Hierosphthitic Topos, or the Fate of Fergus: Notes on the N-Town Assumption
Ann Elijenholm Nichols

 

The Staging of the First Murder in the Mystery Plays in England
Cherrell Guilfoyle

 

The Great Calvaries of Brittany and the Medieval Breton Burzud braz Jezuz
Stanley Damberger and Ellin M. Kelly

 

Positional Symbolism and English Medieval Drama
Clifford Davidson

 

The Way of Vice and Virtue: A Medieval Psychology
Eva Kimminich

 

St. Crépin, St. Crispin, Sant Crespí: French, Breton, and Catalan Mystères
Élisabeth Lalou

 

The Iconography of Audience in the Cuzco Corpus Christi Paintings
Barbara H. Jaye and William P. Mitchell

 

St. Denis in Antwerp: Hagiographica in a Protestant Play
B. A. M. Ramakers

 
 
 
  • Journal Home
  • What's New
  • Aims & Scope
  • Advisory Board
  • Submission Guidelines
  • Contact the Editors
  • Most Popular Papers
  • Receive Email Notices or RSS

 

Advanced Search

ISSN: 0010-4078

 
 
Elsevier - Digital Commons

Home | About | FAQ | My Account | Accessibility Statement

Privacy Copyright