Laughter in Medieval English Drama: A Critique of Modernizing and Historical Analyses
Hans-Jürgen Diller

Writing and Revenge: John Marston's Histriomastix
James P. Bednarz

Soft Touch: On the Renaissance Staging and Meaning of the "Noli me tangere" Icon
Cynthia Lewis

Tragedy and Timon of Athens
Robert B. Pierce

Sights Unseen: Withholding Information in the Plays of Thomas Bernhard
William E. Gruber

O'Neill and the Wobblies: The IWW as a Model for Failure in The Iceman Cometh
Lawrence Dugan

Maturation and Political Upheaval in Lloyd Fernando's Scorpion Orchid and Robert Yeo's The Singapore Trilogy
Catherine Diamond

The Arlecchino and Three English Tinkers
Nina daVinci Nichols

Rubin and Mercator: Grotesque Comedy in the German Easter Play
Martin W. Walsh

Shakespeare on the American Yiddish Stage, by Joel Berkowitz
David Bleich

Shakespeare and Eastern Europe, by Zdenëk Stííbrny
Nicholas Rzhevsky

Painting Shakespeare Red: An East-European Appropriation, by Alexander Shurbanov and Boika Sokolova
Felicia Hardison Londré

Performing the American Frontier, 1870-1906, by Roger A. Hall
Nicolas Witschi

Venom in Verse: Aristophanes in Modern Greece, by Gonda A. H. van Steen
Kiki Gounaridou

Beckett and Beyond, edited by Bruce Stewart
Michael Vanden Heuval

Signifying God: Social Relations and Symbolic Act in the York Corpus Christi Plays, by Sarah Beckwith
Victor Scherb

Shakespeare's Serial History Plays, by Nicholas Grene
David M. Bergeron

Moving Subjects: Processional Performance in the Middle Ages and the Renaissance, edited by Kathleen Ashley and Wim Hüsken
Clifford Davidson

Theatre, History, and National Identities, edited by Helka Mäniken, S. E. Wilmer, and W. B. Worthen
Stratos E. Constantinidis

Shakespeare: Text and Theater. Essays in Honor of Jay L. Halio, edited by Lois Potter and Aurthur F. Kinney
John R. Ford