Is everything history?": Churchill, Barker, and the Modern History Play
Brean S. Hammond

Anti-Semitism, Surrogacy, and the Invocation of Mohammed in the Play of the Sacrament
Michael Mark Chemers

My condicion is mannes soule to kill"—Everyman's Mercantile Salvation
Roger A. Ladd

Shakespeare's Julius Caesar, Erasmus's De Copia, and Sentential Ambiguity
Jeffrey J. Yu

Strange Duets: Impresarios & Actresses in the American Theatre, 1865-914, by Kim Marra

Henrik Ibsen and the Birth of Modernism: Art, Theater, Philosophy, by Toril Moi
Brian Johnston

Female Mourning and Tragedy in Medieval and Renaissance Drama: From the Raising of Lazarus to "King Lear", by Katharine Goodland
Kathryn Jacobs

Staging Dario Fo and Franca Rame: Anglo-American Approaches to Political Theatre, by Stefania Taviano
Serena Anderlini-D'Onofrio

Pseudonymous Shakespeare: Rioting Language in the Sidney Circle, by Penny McCarthy
Gary F. Waller

The Italian Encounter with Tudor England: A Cultural Politics of Translation, by Michael Wyatt
Jane Tylus

Brian Friel's Dramatic Artistry: "The Work Has Value", edited by Donald E. Morse, Csilla Bertha, and Mária Kurdi
Maria Germanou

Absence and Memory in Colonial American Theatre: Fiorelli's Plaster, by Odai Johnson
James S. Moy

Komedie Stamboel: Popular Theatre in Colonial Indonesia, 1891-1903, by Matthew Isaac Cohen
Jörgen Hellman

East of Eden: New Romanian Plays, edited by Andrei Marinescu

REED in Review: Essays in Celebration of the First Twenty-Five Years, edited by Audrey Douglas and Sally-Beth MacLean

Teaching with the Records of Early English Drama, edited by Elza C. Tiner

Against Theatre: Creative Destructions of the Modernist Stage, edited by Alan Ackerman and Martin Puchner

Contemporary Theatres in Europe: A Critical Companion, edited by Joe Kelleher and Nicholas Ridout