“The Split-Screen Syndrome”: Structuring (Non)Seeing in Two Plays on Abu Ghraib
Katarzyna Beilin

Brian Friel’s Transformation from Short Fiction Writer to Dramatist
Richard Rankin Russell

Plays and Playcoats: A Courtly Interlude Tradition in Scotland?
Sarah Carpenter

Staging the Convent as Resistance in The Jew of Malta and Measure for Measure
Kimberly Reigle

"Not to Be Altered": Performance's Efficacy and Audience Reaction in The Roman Actor
Eric Dunnum

The Tragic Paradox, by Leonard Moss
Jennifer Wallace

Memories of Chekhov: Accounts of the Writer from His Family, Friends, and Contemporaries, ed. and trans. by Peter Sekirin
Valleri J. Hohman

Puppet: An Essay on Uncanny Life, by Kenneth Gross
Claudia Orenstein

Mei Lanfang and the Twentieth-Century International Stage: Chinese Theatre Placed and Displaced, by Min Tian
Cecilia J. Pang

Image Ethics in Shakespeare and Spenser
Jane Kingsley-Smith

Pioneer Performances: Staging the Frontier, by Matthew Rebhorn
Nicolas S. Witschi

Hamlet’s Arab Journey: Shakespeare’s Prince and Nasser’s Ghost
Khalid Amine

Intimacy and Sexuality in the Age of Shakespeare, by James M. Bromley
Gina Bloom

Shaw, Plato, and Euripides: Classical Currents in “Major Barbara,”, by Sidney P. Alpert
David Kornhaber