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ScholarWorks > Arts & Sciences > English > COMPDR > Vol. 49 (2015) > Iss. 4

Volume 49, Issue 4 (2015) The Actor in the Interval

Articles

Introduction
Elizabeth Bradburn and Lofton L. Durham

"Now Keep Out of the Way, Whitelaw": Self-Expression, Agency, and Directorial Control in W.B. Yeats's and Samuel Beckett's Theatre
Hannah Simpson

"Weeping Mothers Shall Applaud": Sarah Yates as Margaret of Anjou on the London Stage, 1797
Sarah Burdett

“Where’s Tarleton?”: The Contentious Chaucerian Afterlife of Elizabeth’s Most Famous Clown
J. P. Conlan

Deafness and Dominance: Analyzing The Oregon Shakespeare Festival’s Production of To Kill a Mockingbird
Maureen McDonnell

Editor

Elizabeth Bradburn

Assistant Editor

Lofton L. Durham

Consulting Editor

Eve Salisbury

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ISSN: 0010-4078