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ScholarWorks > Arts & Sciences > English > COMPDR > Vol. 50 (2016) > Iss. 4

 

Volume 50, Issue 4 (2016) Winter

Articles

 

“A somber passion strengthens her voice”: The Stage as Public Platform in British Women’s Suffrage Drama
Rebecca Cameron

 

“I Knew Not How to Call Her Now”: The Bigamist’s Second Wife in The Witch Of Edmonton and All’s Lost By Lust
David Nicol

 

(Mis)reading Ibsen: Chinese Noras On and Off the Stage and Nora in Her Chinese Husband’s Ancestral Land of the 1930s as Reimagined for the Globalized World Today
Shouhua Qi

 

Melancholy Ontology, Evental Ethics, and the Lost (m)Other in Howard Barker’s Theatre of Catastrophe: An Analysis of 13 Objects
Alireza Fakhrkonandeh

Book Reviews

 

The Late Work of Sam Shepard, by Shannon Blake Skelton
Susan C. W. Abbotson

 

The Hand on the Shakespearean Stage: Gesture, Touch and the Spectacle of Dismemberment, by Farah Karim-Cooper
Vanessa I. Corredera

 

Queer Philologies: Sex, Language, and Affect in Shakespeare’s Time, by Jeffrey Masten
John Garrison

 

Shakespeare’s Extremes: Wild Man, Monster, Beast, Julián Jiménez Heffernan
Scott Maisano

 

The Theatre of David Henry Hwang, by Esther Kim Lee
Deborah Ross

 

Mermaids and the Production of Knowledge in Early Modern England, by Tara E. Pedersen
Katherine Walker

Editor
Elizabeth Bradburn
Assistant Editor
Lofton L. Durham
Consulting Editor
Eve Salisbury
 
 
 
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ISSN: 0010-4078

 
 
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