Eunuchs in London Theatre
Anne Greenfield

Indigeneity and Immigration in Susan Glaspell’s Inheritors
James H. Cox and Alexander Pettit

Performing Ancestry: Reading August Wilson’s The Piano Lesson as a Performative Neo-Slave Narrative
Patrick Maley

Impregnable Towers and Pregnable Maidens in Early Modern English Drama
Lindsay Ann Reid

The American Reception of Tourneur’s Volpone in the 1940s
Purificación Ribes

Theatrical Reality: Space, Embodiment and Empathy in Performance, by Campbell Edinborough
Amy Cook

The Translator on Stage, by Geraldine Brodie
Melanie Dreyer-Lude

The Director’s Prism: E. T. A. Hoffmann and the Russian Theatrical Avant-Garde, by Dassia N. Posner
James Fisher

Edo Kabuki in Transition: From the Worlds of the Samurai to the Vengeful Female Ghost, by Satoko Shimazaki
Maki Isaka

The Civic Cycles: Artisan Drama and Identity in Premodern England, by Nicole R. Rice and Margaret Pappano
Emma Lipton

Women on Southern Stages, 1800–1865: Performance, Gender and Identity in a Golden Age of American Theatre, by Robin O. Warren
Heather S. Nathans

Aristophanes and the Cloak of Comedy: Affect, Aesthetics, and the Canon, by Mario Telò
Anna Peterson

Verse Drama in England, 1900–2015: Art, Modernity and the National Stage, by Irene Morra
Kayla McKinney Wiggins