Introduction: Chaucerian Resonances in Early Modern Drama, Shakespeare and Beyond
Lindsay Ann Reid and Rachel Stenner

Playing Chaucer at the Early Elizabethan Inns of Court
Emily Buffey

“Thou shalt knowen of oure privetee / Moore than a maister of dyvynytee”: Devils and Damnation in Chaucer’s Canterbury Tales and Marlowe’s Doctor Faustus
Darragh Greene

Stealing Shives: Titus Andronicus as Chaucerian Anti-Romance
Kurt Schreyer

Reading at the Seams in Titus Andronicus: Shakespeare’s “House of Fame” and its Virgilian-Ovidian-Chaucerian Resonances
Lindsay Ann Reid

The Framing of the Shrews: Dream Skepticism from The House of Fame to The Taming of the Shrew
Nathanial B. Smith

The Word of Apollo: Prophecy and Vatic Poetry in Geoffrey Chaucer’s Troilus and Criseyde and William Shakespeare’s Troilus and Cressida
Rachel Stenner

The Winter’s Tale: Decorum, Distinction, and Shakespeare’s Chaucer
Jeff Espie

“I am not against your faith yet I continue mine”: Virginal Vocation in The Two Noble Kinsmen
Valerie Voight

Chaucer, Shakespeare, and the Lost Friendship Plays of the Admiral’s Men
Robert Stretter

Chaucerian Topoi and Topography in Thomas Dekker’s (and John Webster’s) Westward Ho (1605) and Northward Ho (1607)
Chi-fang Sophia Li

A Credible Debt: Dekker as Host to Chaucer’s Franklin
Natalie Hanna

Afterword
Tom Rutter