1619: The Dramatic Performance Traditions of North America's First Enslaved Africans
Jeroen Dewulf

Brechtian AlienAsian: Socialist ex Machina from Brecht's The Good Woman of Setzuan and David Hare's Fanshen
Sheng-mei Ma

Cold War Femininities in China and America: National Ideals and Uncontainable Performances in Tennessee Williams's A Streetcar Named Desire and Yang Lüfang's Cuckoo Sings Again
Zhang Ranran

"I am underneath and oxygen is running out": Suicide as Genetically Inherited or as the Melancholy Identification with the Suicidal Mother in Alice Birch's Anatomy of a Suicide
Alireza Fakhrkonandeh and Yiğit Sümbül

Coronada y el toro by Francisco Nieva
Casey Kasten

Performing Commedia dell'Arte, 1570-1630 by Natalie Crohn Schmitt
Robert Henke

Diversifying Greek Tragedy on the Contemporary US Stage by Melinda Powers
Karelisa Hartigan

Theatre and Knowledge by David Kornhaber
Paul A. Kottman

Practical Cues and Social Spectacle in the Chester Plays by Matthew Sergi
Pamela M. King

Laughter and Civility: the Theater of Emma Gad by Lynn R. Wilkinson
Ulla Kallenbach

Tennessee Williams, T-shirt Modernism and the Refashionings of Theater by S. E. Gontarski
John S. Bak

Dancing the Dharma: Religious and Political Allegory in Japanese Noh Theatre by Susan Blakely Klein
Elizabeth Oyler

Gaming the Stage: Playable Media and the Rise of the English Commercial Theater by Gina Bloom
Rebecca Bushnell

King Lear 'After' Auschwitz: Shakespeare, Appropriation and Theatres of Catastrophe in Post-War British Drama by Richard Ashby
Peter Holland