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ScholarWorks > Arts & Sciences > English > COMPDR > Vol. 57 (2023) > Iss. 3

Volume 57, Issue 3 (2023) Winter

Articles

What Kind of Cosmopolitanism? Transplantation and Displacement in the (Re)construction of Theatrical Nationality in Early Twentieth-Century China and Japan
Yang Gao

"Old Words into Something New": David Bowie and Enda Walsh's Lazarus
Michael Jaros

"The world's a theatre of theft": Islamic Imposture in Tomkis' Albumazar
Corinne Zeman

The Paracelsan Philosophy and Plot in Romeo and Juliet
Jaecheol Kim

Book Reviews

Staging America: The Artistic Legacy of the Provincetown Players, by Jeffery Kennedy
Beth Wynstra

Shakespeare's Essays: Sampling Montaigne from Hamlet to The Tempest, by Peter Platt
Alan Farmer

Cultures of Witnessing: Law and the York Plays, by Emma Lipton
Elisabeth Dutton

Bad Blood: Staging Race Between Early Modern England and Spain, by Emily Weissbourd
Dian Fox

Vows, Veils, and Masks: The Performance of Marriage in the Plays of Eugene O'Neill, by Beth Wynstra
Alexander Pettit

Scripts of Blackness: Early Modern Performance Culture and the Making of Race, by Noémie Ndiaye
Baltasar Fra-Molinero

Shaping Dance Canons: Criticism, Aesthetics, and Equity, by Kate Mattingly
Crystal U. Davis

Law as Performance: Theatricality, Spectatorship and the Making of Law in Ancient, Medieval and Early Modern Europe, by Julie Stone Peters
Subha Mukherji

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ISSN: 0010-4078