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ScholarWorks > Arts & Sciences > English > COMPDR > Vol. 58 (2024) > Iss. 3

Volume 58, Issue 3 (2024) Fall

Articles

In Memoriam: Clifford O. Davidson: 1932–2024
Lofton Durham

Diplomatic, Migrant, Intercultural: Chinese Opera’s Performance Modes in the Contemporary West
Josh Stenberg

“Simply Sitting in a Chair”: Questioning Representational Practice and Dramatic Convention in Marguerite Duras’s L’Amante anglaise and The Viaducts of Seine-et-Oise
Shelley Orr

Rewriting Idolatry: Doctor Faustus and Romeo and Juliet
Tom Rutter

Measuring Protagonism in Early Modern European Theatre: A Distant Reading of the Character of Sophonisba
David J. Amelang

Book Reviews

The Drama of Serial Conversion in Early Modern England, by Holly Crawford Pickett
Arthur F. Marotti

Theater, War, and Revolution in Eighteenth-Century France and Its Empire, by Logan J. Connors
Yann Robert

Macbeth, by William Shakespeare, directed by Simon Godwin, The Shakespeare Company, Washington, D.C. (April 9 – May 5, 2024)
Christopher Crosbie

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ISSN: 0010-4078