Date of Award
4-1998
Degree Name
Master of Music
Department
Music
First Advisor
C. Curtis-Smith
Second Advisor
Dr. Richard Adams
Third Advisor
Dr. Mattew Steel
Access Setting
Masters Thesis-Open Access
Abstract
The Mass for Strings, Winds and Chorus was written with two primary purposes: (1) to produce a complete setting of the Ordinary of the Mass utilizing an isorhythmic cantus firmus style, similar to the cantus firmus settings common in the Medieval and Renaissance periods; and (2) to compose this setting in such a manner that it is performable in the environment originally intended for the Ordinary.
The isorhythmic cantus firmus technique of composition was almost exclusively used during the Medieval and Renaissance periods. The technique consists of imposing a rhythmic structure upon a common melody (often from plainchant or folk music), and using this as an inner voice, while all of the other voices are composed around it. It is first found in the Kyrie beginning in the twelfth measure in the alto part. This cantus firmus is then used in various sections in all five movements. The imposed rhythm is not identical in all appearances, but is proportional to the original statement.
The Mass for Strings, Winds and Chorus was written with the amateur church orchestra and choir in mind. The orchestra called for is small, and the parts are written in a simple style, so that competent amateurs will be able to perform them with a little practice.
Recommended Citation
Kreuze, Brandon R., "Mass for Strings, Winds and Chorus" (1998). Masters Theses. 5257.
https://scholarworks.wmich.edu/masters_theses/5257