The Long Lives of Medieval Objects, from Big to Small II: (Re)presentation
Sponsoring Organization(s)
AVISTA: The Association Villard de Honnecourt for the Interdisciplinary Study of Medieval Technology, Science, and Art
Organizer Name
Jennifer M. Feltman, Sarah Thompson
Organizer Affiliation
Univ. of West Florida, Rochester Institute of Technology
Presider Name
Sarah Thompson
Paper Title 1
Resurrecting the Medieval Altar: Iberian Virgins on and off the Altar
Presenter 1 Name
Maeve O'Donnell-Morales
Presenter 1 Affiliation
Courtauld Institute of Art
Paper Title 2
Patronage, Censorship, and Digital Repatriation: Excavating Layers of History in the Carrow Psalter
Presenter 2 Name
Lynley Anne Herbert
Presenter 2 Affiliation
Walters Art Museum
Paper Title 3
The Parish Church of Notre-Dame de Louviers and the Production of Meaning in Late Gothic Architecture
Presenter 3 Name
Kyle G. Sweeney
Presenter 3 Affiliation
Rice Univ.
Start Date
14-5-2016 1:30 PM
Session Location
Schneider 1220
Description
Traditional histories often privilege the moment of an object’s origin, whether it be the design of a building, the production of a manuscript, or the creation of decorative arts, ritual or mundane. Yet medieval objects have long and expansive lives that defy the period and geographic boundaries set by academic disciplines. Many medieval objects have extended prehistories emerging from their sites and contexts of creation, and most medieval objects have undergone a variety of interventions and adaptations since coming into being. The lives of these objects have been further extended through historiography and digital media. In this, the second of three AVISTA sponsored sessions, papers consider how the representation or re-presentation of medieval objects has extended their lives.
Jennifer M. Feltman, Sarah Thompson
The Long Lives of Medieval Objects, from Big to Small II: (Re)presentation
Schneider 1220
Traditional histories often privilege the moment of an object’s origin, whether it be the design of a building, the production of a manuscript, or the creation of decorative arts, ritual or mundane. Yet medieval objects have long and expansive lives that defy the period and geographic boundaries set by academic disciplines. Many medieval objects have extended prehistories emerging from their sites and contexts of creation, and most medieval objects have undergone a variety of interventions and adaptations since coming into being. The lives of these objects have been further extended through historiography and digital media. In this, the second of three AVISTA sponsored sessions, papers consider how the representation or re-presentation of medieval objects has extended their lives.
Jennifer M. Feltman, Sarah Thompson