Medieval Sensory Experience
Sponsoring Organization(s)
Center for Medieval and Early Modern Studies, Stanford Univ.
Organizer Name
Fiona J. Griffiths
Organizer Affiliation
Stanford Univ.
Presider Name
Mae Lyons-Penner
Presider Affiliation
Stanford Univ.
Paper Title 1
Volgete Gli Occhi: Seeing and Surveillance in Ambrogio Lorenzetti's Siena
Presenter 1 Name
Danny Smith
Presenter 1 Affiliation
Stanford Univ.
Paper Title 2
"To Taste and See How Sweet Is the Lord": Reading and Sensory Experience in Henry Suso's Booklet of Eternal Wisdom
Presenter 2 Name
Björn Klaus Buschbeck
Presenter 2 Affiliation
Stanford Univ.
Paper Title 3
The Art of the Hunt: The Sensory Experience of a Carolingian Pasttime
Presenter 3 Name
Lora Webb
Presenter 3 Affiliation
Stanford Univ.
Paper Title 4
Icons of Smoke and Scent: Sensory Histories of a "Bardaisanite" Censer
Presenter 4 Name
Erik Odin Yingling
Presenter 4 Affiliation
Stanford Univ.
Start Date
10-5-2018 1:30 PM
Session Location
Schneider 1330
Description
This session explores the epistemology of the senses, asking what role the senses played in medieval cognition, and how modern scholars can access medieval sense experiences, which were, by definition, ephemeral. Setting aside textual descriptions—theoretical, religious, and even medical reflections on the workings and spiritual significance of sensory input—we focus on material witnesses to the medieval sensorium and engage questions of experience, authority, and performance as interpretive tools.
Fiona Griffiths
Medieval Sensory Experience
Schneider 1330
This session explores the epistemology of the senses, asking what role the senses played in medieval cognition, and how modern scholars can access medieval sense experiences, which were, by definition, ephemeral. Setting aside textual descriptions—theoretical, religious, and even medical reflections on the workings and spiritual significance of sensory input—we focus on material witnesses to the medieval sensorium and engage questions of experience, authority, and performance as interpretive tools.
Fiona Griffiths