Medievalism and the Rediscovery of Medieval Art
Sponsoring Organization(s)
Special Session
Organizer Name
Thalia Allington-Wood
Organizer Affiliation
Univ. College London
Presider Name
Imogen Tedbury
Presider Affiliation
Courtauld Institute of Art/National Gallery of Art
Paper Title 1
Antiquarian Aesthetics and the Revaluing of Medieval Art in Early Modern Britain
Presenter 1 Name
Dustin M. Frazier Wood
Presenter 1 Affiliation
Univ. of Roehampton
Paper Title 2
Anonymous Immortality: Chasing Down the Ghosts of Patrons Past
Presenter 2 Name
Lynley Anne Herbert
Presenter 2 Affiliation
Walters Art Museum
Paper Title 3
Living in the New [New] Middle Ages
Presenter 3 Name
Matthew Reeve
Presenter 3 Affiliation
Queen's Univ. Kingston
Start Date
10-5-2018 1:30 PM
Session Location
Fetzer 2030
Description
This session explores the changing reception, restoration, display, historiography and collecting practices associated with medieval art. How has the phenomenon of discovery as narrative, academic and artistic moment developed? What can be gained from considering academic and popular discoveries of medieval art side by side? How do political and geographical agendas affect the reception of medieval art? Beginning with a reexamination of the reception of medieval art by early modern antiquaries pre-dating the Gothic revival, and examining the reinterpretation, re-use and appropriation of medieval manuscripts in nineteenth-century hybrids, this session also explores medievalism in our own Middle Age post Umberto Eco's 'New Middle Ages', from Peter Jackson's Lord of the Rings films to the 'Gothic Nightmares' exhibition in London, from the rhetoric of the "War on Terror" to Game of Thrones.
Imogen Tedbury
Medievalism and the Rediscovery of Medieval Art
Fetzer 2030
This session explores the changing reception, restoration, display, historiography and collecting practices associated with medieval art. How has the phenomenon of discovery as narrative, academic and artistic moment developed? What can be gained from considering academic and popular discoveries of medieval art side by side? How do political and geographical agendas affect the reception of medieval art? Beginning with a reexamination of the reception of medieval art by early modern antiquaries pre-dating the Gothic revival, and examining the reinterpretation, re-use and appropriation of medieval manuscripts in nineteenth-century hybrids, this session also explores medievalism in our own Middle Age post Umberto Eco's 'New Middle Ages', from Peter Jackson's Lord of the Rings films to the 'Gothic Nightmares' exhibition in London, from the rhetoric of the "War on Terror" to Game of Thrones.
Imogen Tedbury