Curatorial Discourses on Medieval Art, Past and Present
Sponsoring Organization(s)
Special Session
Organizer Name
Lena Liepe; Noëlle Lynn Wenger Streeton
Organizer Affiliation
Linnéuniv.; Univ. i Oslo
Presider Name
Noëlle Lynn Wenger Streeton
Paper Title 1
Medieval Art in the National Museum of Denmark through Two Hundred Years
Presenter 1 Name
Poul Grinder-Hansen
Presenter 1 Affiliation
Nationalmuseet
Paper Title 2
The Rhetorics of Display: Sacred Objects at the Cleveland Museum of Art
Presenter 2 Name
Elina Gertsman
Presenter 2 Affiliation
Case Western Reserve Univ.
Paper Title 3
A Museum and a Place of Worship: How the Middle Ages Reemerged in Swedish Churches in the Early Twentieth Century
Presenter 3 Name
Henrik Widmark
Presenter 3 Affiliation
Uppsala Univ
Start Date
11-5-2019 1:30 PM
Session Location
Schneider 1145
Description
The three papers in this session focus on, as one of the titles puts it, the rhetorics of display of medieval church art. Quite naturally the primary venues to be investigated are museums, but also churches doubling as exhibition spaces for ancient church objects no longer in use will be considered. The papers explore the strategies by which messages about the nature of medieval art have been – and still are – communicated to various audiences at various times, from the early 19th century to the present. Two of the papers deal specifically with curatorial discourses in a Scandinavian context, whereas the third paper takes as its case study the medieval collection of the Cleveland Museum of Art. Lena Liepe
Curatorial Discourses on Medieval Art, Past and Present
Schneider 1145
The three papers in this session focus on, as one of the titles puts it, the rhetorics of display of medieval church art. Quite naturally the primary venues to be investigated are museums, but also churches doubling as exhibition spaces for ancient church objects no longer in use will be considered. The papers explore the strategies by which messages about the nature of medieval art have been – and still are – communicated to various audiences at various times, from the early 19th century to the present. Two of the papers deal specifically with curatorial discourses in a Scandinavian context, whereas the third paper takes as its case study the medieval collection of the Cleveland Museum of Art. Lena Liepe