Conceptions of Death and Dying in Early Medieval Literature
Sponsoring Organization(s)
Early Middle English Society
Organizer Name
Carla María Thomas
Organizer Affiliation
Florida Atlantic Univ.
Presider Name
Larissa Tracy
Presider Affiliation
Longwood Univ.
Paper Title 1
The Poetics of the Speaking Soul in Early Middle English
Presenter 1 Name
Jennifer A. Lorden
Presenter 1 Affiliation
Grinnell College
Paper Title 2
"Þeah þe ða deade bán specon ne maȝon": Reading The Grave as Homiletic Postscript
Presenter 2 Name
Leslie Carpenter
Presenter 2 Affiliation
Fordham Univ.
Paper Title 3
Gender, Purgatory, and Genre
Presenter 3 Name
Elizabeth Matresse
Presenter 3 Affiliation
Univ. of Illinois-Urbana-Champaign
Start Date
11-5-2019 1:30 PM
Session Location
Schneider 1245
Description
Early Middle English poetry, c. 1100-1350, is filled with debates between bodies and souls, descriptions of ghastly bodily decay, and moralizations that come from beyond the grave in order to encourage medieval readers to meditate on and contemplate death and dying. The theme of the macabre is prominent, too, in the homiletic material of the period. For much of this literature, in homilies and poetry alike, the meditations are meant to steer the reader to (or back onto) the Christian path, stressing such motifs as fear of the Last Judgment, ubi sunt laments, and the importance of confession. Other texts like the late twelfth-century poem “The Grave,” however, are simply short meditations on death and the confines of the grave without moralization. This panel presents papers that provide new insight on "The Grave," Old and Middle English soul and body dialogues, and other didactic and romantic texts from the period. Carla Maria Thomas
Conceptions of Death and Dying in Early Medieval Literature
Schneider 1245
Early Middle English poetry, c. 1100-1350, is filled with debates between bodies and souls, descriptions of ghastly bodily decay, and moralizations that come from beyond the grave in order to encourage medieval readers to meditate on and contemplate death and dying. The theme of the macabre is prominent, too, in the homiletic material of the period. For much of this literature, in homilies and poetry alike, the meditations are meant to steer the reader to (or back onto) the Christian path, stressing such motifs as fear of the Last Judgment, ubi sunt laments, and the importance of confession. Other texts like the late twelfth-century poem “The Grave,” however, are simply short meditations on death and the confines of the grave without moralization. This panel presents papers that provide new insight on "The Grave," Old and Middle English soul and body dialogues, and other didactic and romantic texts from the period. Carla Maria Thomas