Experiencing Textiles in Medieval Culture and German Literature
Sponsoring Organization(s)
Society for Medieval Germanic Studies (SMGS)
Organizer Name
Evelyn Meyer; Joseph M. Sullivan; Alexandra Sterling-Hellenbrand
Organizer Affiliation
St. Louis Univ.; Univ. of Oklahoma; Appalachian State Univ.
Presider Name
Evelyn Meyer
Paper Title 1
Mit kunkeln und mit schaeren: Tools for Reading Textiles in Medieval German Texts
Presenter 1 Name
Hannah Hunter-Parker
Presenter 1 Affiliation
Princeton Univ.
Paper Title 2
Weaving Words, Spinning Yarns, and Embroidering the Truth in Medieval German Literature
Presenter 2 Name
Kathryn Starkey
Presenter 2 Affiliation
Stanford Univ.
Paper Title 3
Who and What Do You Pin It On? Badges and Belonging in Late Medieval Europe
Presenter 3 Name
Ann Marie Rasmussen
Presenter 3 Affiliation
Univ. of Waterloo
Paper Title 4
Respondent
Presenter 4 Name
Monica L. Wright
Presenter 4 Affiliation
Univ. of Louisiana-Lafayette
Start Date
12-5-2019 10:30 AM
Session Location
Fetzer 2020
Description
While the study of textiles, and especially clothing, has emerged as a major field of inquiry in the last two decades in, for example, Middle English and Old French literature studies (for example, in the work of Sarah-Grace Heller and Monica Wright), Germanists have as yet failed to analyze in any kind of depth how textiles function in medieval literature to develop characters, to move the narrative action, to structure the plot, and to delight especially noble audiences with descriptions of objects that were absolutely central to their construction of self. With this session, which is the first that we have devoted to material objects in recent memory, we hope not only to engender a lively discussion but also to spur new and active research among colleagues in what is for most of us a new area begging for further investigation. Evelyn Meyer
Experiencing Textiles in Medieval Culture and German Literature
Fetzer 2020
While the study of textiles, and especially clothing, has emerged as a major field of inquiry in the last two decades in, for example, Middle English and Old French literature studies (for example, in the work of Sarah-Grace Heller and Monica Wright), Germanists have as yet failed to analyze in any kind of depth how textiles function in medieval literature to develop characters, to move the narrative action, to structure the plot, and to delight especially noble audiences with descriptions of objects that were absolutely central to their construction of self. With this session, which is the first that we have devoted to material objects in recent memory, we hope not only to engender a lively discussion but also to spur new and active research among colleagues in what is for most of us a new area begging for further investigation. Evelyn Meyer