Critical Bibliography and Premodern Materiality (A Roundtable)
Sponsoring Organization(s)
Rare Book School Mellon Fellowship of Scholars in Critical Bibliography
Organizer Name
Megan Cook
Organizer Affiliation
Colby College
Presider Name
Megan Cook
Paper Title 1
Woodblock Printing in Early Japanese Commercial Publishing: The Survival of Scribal Culture as a Medieval Technology
Presenter 1 Name
Saeko Suzuki
Presenter 1 Affiliation
Univ. of British Columbia
Paper Title 2
Codicology as Imaginative Practice
Presenter 2 Name
Bernardo S. Hinojosa
Presenter 2 Affiliation
Univ. of California-Berkeley
Paper Title 3
Blogs and Early Books
Presenter 3 Name
S. C. Kaplan
Presenter 3 Affiliation
Rice Univ.
Paper Title 4
How a Medieval French Manuscript Traveled to Taiwan: Japanese Colonial History and National Taiwan University Otori MS 299
Presenter 4 Name
Ruen-chuan Ma
Presenter 4 Affiliation
Utah Valley Univ.
Paper Title 5
Respondent
Presenter 5 Name
Damian Fleming
Presenter 5 Affiliation
Purdue Univ.-Fort Wayne
Start Date
12-5-2019 10:30 AM
Session Location
Fetzer 1010
Description
To many, critical bibliographers are found in English and history departments and study pre-industrial European and Euro-American books as unique manufactured objects. Of late, the field has evolved to include scholars in other disciplines, including art historians and classicists, musicologists and digital archivists. It has recognized that Asian, Latinx, Indigenous, and Africana studies also have long histories of engaging in critical bibliography. It has enfolded theories and techniques for considering textual objects that are not books as defined by Euro-centric traditions. Today's critical bibliographers concern themselves with the materiality of texts, rather than books, because the objects by which the world's cultures have documented, expressed, and narrated their histories and imaginations have been multifold. Megan Cook
Critical Bibliography and Premodern Materiality (A Roundtable)
Fetzer 1010
To many, critical bibliographers are found in English and history departments and study pre-industrial European and Euro-American books as unique manufactured objects. Of late, the field has evolved to include scholars in other disciplines, including art historians and classicists, musicologists and digital archivists. It has recognized that Asian, Latinx, Indigenous, and Africana studies also have long histories of engaging in critical bibliography. It has enfolded theories and techniques for considering textual objects that are not books as defined by Euro-centric traditions. Today's critical bibliographers concern themselves with the materiality of texts, rather than books, because the objects by which the world's cultures have documented, expressed, and narrated their histories and imaginations have been multifold. Megan Cook