Transfer of Cultural Products: France and the Mediterranean Area in the Twelfth and Thirteenth Centuries I

Sponsoring Organization(s)

Centre d'études supérieures de civilisation médiévale (CESCM); International Medieval Society, Paris

Organizer Name

Estelle Ingrand-Varenne

Organizer Affiliation

Centre Nationale de la Recherche Scientifique/Centre d'études supérieures de civilisation médiévale (CESCM)

Presider Name

Lindsay S. Cook

Presider Affiliation

Vassar College

Paper Title 1

Nova Francia? Cultural Exchange between France and Byzantium in Frankish Greece, 1204-1261

Presenter 1 Name

Grant Shrama

Presenter 1 Affiliation

Queen’s Univ. Kingston

Paper Title 2

The Diffusion of French Gothic Architecture in Southern Italy: The Apulia Region

Presenter 2 Name

Arianna Carannante

Presenter 2 Affiliation

Univ. degli Studi di Roma "La Sapienza"

Paper Title 3

Knowing the Other's Emblematic Practices: Mamluk Basins Made for the West

Presenter 3 Name

Simon Rousselot

Presenter 3 Affiliation

École Pratique des Hautes Études

Start Date

9-5-2019 10:00 AM

Session Location

Schneider 2335

Description

The two sessions cosponsored by the IMS-Paris and the CESCM-Poitiers aim to explore the transfer of cultural products between France and the Mediterranean area during the twelfth and the thirteenth centuries.
Following the theory of Michel Espagne proposed in the eighties, the notion of “cultural transfer” can be understood in broad sense, as a process of interaction, a dynamics of semantic transformations which results from the passage of a cultural object from one context to another. The transfer can concern material as well as immaterial data: objects, ideas, forms, methods, technologies etc. Within the relations between France and Mediterranean area (notably with the Islamic or the Byzantine world), what kind of transfer of cultural products can we observe? Which/who were the vectors and the “bridges” of these exchanges? Where were the places of mediation? Any object that falls into a new context takes on a new meaning. What processes are involved in the appropriation of an object, its adaptation, what resistance to its integration, what reinterpretation and re-signification? In which way did it transform its new context? Estelle Ingrand-Varenne

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May 9th, 10:00 AM

Transfer of Cultural Products: France and the Mediterranean Area in the Twelfth and Thirteenth Centuries I

Schneider 2335

The two sessions cosponsored by the IMS-Paris and the CESCM-Poitiers aim to explore the transfer of cultural products between France and the Mediterranean area during the twelfth and the thirteenth centuries.
Following the theory of Michel Espagne proposed in the eighties, the notion of “cultural transfer” can be understood in broad sense, as a process of interaction, a dynamics of semantic transformations which results from the passage of a cultural object from one context to another. The transfer can concern material as well as immaterial data: objects, ideas, forms, methods, technologies etc. Within the relations between France and Mediterranean area (notably with the Islamic or the Byzantine world), what kind of transfer of cultural products can we observe? Which/who were the vectors and the “bridges” of these exchanges? Where were the places of mediation? Any object that falls into a new context takes on a new meaning. What processes are involved in the appropriation of an object, its adaptation, what resistance to its integration, what reinterpretation and re-signification? In which way did it transform its new context? Estelle Ingrand-Varenne