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ROMARD is an annual peer-reviewed journal dedicated to the dissemination and discussion of bold interdisciplinary approaches, methodologies, and conceptualizations regarding the study of drama, performance, theatre, and theatricality from pre-modernity (500-1650). Additionally, ROMARD seeks work that expands the exploration of the dramatic impulses, theatrical phenomena, and performative material of the past, encompassing global cultures and histories. We invite full-length articles that challenge and/or re-examine established narratives, definitions, documentation, and ontologies concerning historical performance(s) and theatricality. Articles submitted may include—but are not limited to—archival research, historiographical analysis, literary criticism, performance theory, performance-as or performance-based research, historical dramaturgy, productions census, or efforts in translation of source materials.

ROMARD is currently accepting submissions for our 2026 issue. Please be advised that while ROMARD is happy to accept your submission at this time, the current publication timeline will preclude any response from the editorial team until late 2025. Please feel free to email us with any questions.

See the Aims and Scope for a complete coverage of the journal.