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ROMARD is an annual peer-reviewed journal dedicated to the dissemination and discussion of bold interdisciplinary approaches, methodologies, and conceptualizations regarding the study of drama, performance, theatre, and theatricality from pre-modernity (500-1650). Additionally, ROMARD seeks work that expands the exploration of the dramatic impulses, theatrical phenomena, and performative material of the past, encompassing global cultures and histories. We invite full-length articles that challenge and/or re-examine established narratives, definitions, documentation, and ontologies concerning historical performance(s) and theatricality. Articles submitted may include—but are not limited to—archival research, historiographical analysis, literary criticism, performance theory, performance-as or performance-based research, historical dramaturgy, productions census, or efforts in translation of source materials.

ROMARD will publish volume 58 in 2021, which will be the first with Medieval Institute Publications and the first volume of the journal available in print and online editions. Subscribe today!

See the Aims and Scope for a complete coverage of the journal.

Current Volume: Volume 60 (2023) ROMARD 60 (2023)

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Introduction
Kyle A. Thomas

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Census of Medieval and Renaissance Performances: Since January 2022
Hope McNamee, Angeline Morris, and Elizabeth E. Tavares