Franciscan Women and Visual Imagination
Sponsoring Organization(s)
Women in the Franciscan Intellectual Tradition (WIFIT)
Organizer Name
Diane V. Tomkinson OSF
Organizer Affiliation
Neumann Univ.
Presider Name
Diane V. Tomkinson OSF
Paper Title 1
The Legend of Veronica and the Franciscan Construct of the Via Crucis
Presenter 1 Name
Katherine Tolmie Brown
Presenter 1 Affiliation
Walsh Univ.
Paper Title 2
Angela of Foligno and the Cultivation of Visionary Imagination
Presenter 2 Name
Joy A. Schroeder
Presenter 2 Affiliation
Capital Univ./Trinity Lutheran Seminary
Paper Title 3
Imaging the Perfect Virtuous Nun: Visual Culture and Caterina Vigri's Teaching of Poor Clare Novices
Presenter 3 Name
Kathleen G. Arthur
Presenter 3 Affiliation
James Madison Univ.
Start Date
10-5-2018 1:30 PM
Session Location
Sangren 1720
Description
This session examines the visual forces that shaped and/or expressed Franciscan women’s religious experiences. Although their degree of literacy varied, medieval women in diverse forms of Franciscan life (lay and professed, active and contemplative) engaged non-literary sources that shaped and expressed their religious imaginations: including seeing and touching, creating or commissioning material devotional objects and religious images, participating in rituals and hearing sermons that stimulated the visual imagination, and using verbal imagery in ways that inspired subsequent visual images. The three papers in this session engage this topic from a range of perspectives, including the visual arts, textual accounts of visual imagination and ritual studies.
Signed: Diane V Tomkinson, OSF
Franciscan Women and Visual Imagination
Sangren 1720
This session examines the visual forces that shaped and/or expressed Franciscan women’s religious experiences. Although their degree of literacy varied, medieval women in diverse forms of Franciscan life (lay and professed, active and contemplative) engaged non-literary sources that shaped and expressed their religious imaginations: including seeing and touching, creating or commissioning material devotional objects and religious images, participating in rituals and hearing sermons that stimulated the visual imagination, and using verbal imagery in ways that inspired subsequent visual images. The three papers in this session engage this topic from a range of perspectives, including the visual arts, textual accounts of visual imagination and ritual studies.
Signed: Diane V Tomkinson, OSF