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Review of Jeffrey F. Hamburger, David J. Roxburgh and Linda Safran, eds., "The Diagram as Paradigm: Cross-Cultural Approaches"
Eric Ramirez-Weaver

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Review of Sarah Guérin, "French Gothic Ivories: Material Theologies and the Sculptor’s Craft"
Paula Mae Carns

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Studies in Iconography 46 (2025)

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The Annunciation Triptych: How the Engelbrechts Saw It
Elizabeth Parker

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Looking At and Through Language: The Visuality of Text in Early Medieval England
Benjamin C. Tilghman

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The Anxious Image: Figuration and Falsification in Medieval Iberian Charters
Shannon L. Wearing

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Demonic to Divine: The Centaur as a Christianizing Figure in Benedetto di Montagna’s "St. Anthony and the Centaur"
Trinity Martinez

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The Study of Anti-Jewish Representation in Medieval Christian Europe (Latin West and Greek East): a Critical Historiographical Overview
Marcia Kupfer

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What’s in a Name? Orthographic Evidence, Iconographic Models, and Artistic Invention in Middle-Byzantine Mosaic Decoration
Warren T. Woodfin

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Looking at Language in a Multilingual Environment: Sephardic Art between the Domestic and the Communal
Sarit Shalev-Eyni